T Magazine: A Dreamlike New Video From the Indie-Folk Chanteuse Weyes Blood
It for the “Some Winters, ” a haunting, warped-out single from Weyes Blood’s forthcoming album “The Innocents” (out Oct. 21 on Mexican Summer), provides extensive in common with the song itself: location, for starters. “It was a little bit of a existence parallel, ” Natalie Mering, the 25-year-old singer-songwriter who records under the Weyes Blood name, says. “It was just kind of creepy and secluded, and also it’s similar to the actual setting of the song; I used to live in a place very similar to that will, in the middle of nowhere. ” Mering has since moved from rural Kentucky, just where she learned about herbal medicine, to New York City. “Mostly I just go from one area to the next, ” she says, though she is currently based in Bushwick. “I kind of provide an allegiance to the city, but I don’t love Brooklyn. ”
To film the particular “Some Winters” video, Mering decamped upstate to Saugerties, New York, for a few days, using a friend’s Shiba Inu and the director Winston Holmes Case in tow. “When he wrote the treatment for the video, he didn’t actually know what the music was about, but he hit it right on the head - it is concerning seclusion, in a situation like that, ” Mering says of Case. “The only factor that I told him to pursue more was the more abstract, color-projection facet of the video, just to make sure it all seemed very imaginary. ”
In the video, the particular signature distortion in Mering’s piano track is mirrored by uncanny graphic elements: Mering’s face viewed through the prismatic filter of light projected onto any fish tank; the unexpected intrusion of technology in the form of a robotic vacuum cleaner; and also, in the video’s last shot, a white piano tumbling down a hillside. “That piano had been gutted out, ” Mering explains. “It’s good to be able to, a little, destroy the nostalgia aspect of the video. A bunch of boys pushed it, yet I watched. ”
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| The singer-songwriter Natalie Mering, also known as Weyes Blood. Shawn Brackbill |
It for the “Some Winters, ” a haunting, warped-out single from Weyes Blood’s forthcoming album “The Innocents” (out Oct. 21 on Mexican Summer), provides extensive in common with the song itself: location, for starters. “It was a little bit of a existence parallel, ” Natalie Mering, the 25-year-old singer-songwriter who records under the Weyes Blood name, says. “It was just kind of creepy and secluded, and also it’s similar to the actual setting of the song; I used to live in a place very similar to that will, in the middle of nowhere. ” Mering has since moved from rural Kentucky, just where she learned about herbal medicine, to New York City. “Mostly I just go from one area to the next, ” she says, though she is currently based in Bushwick. “I kind of provide an allegiance to the city, but I don’t love Brooklyn. ”
To film the particular “Some Winters” video, Mering decamped upstate to Saugerties, New York, for a few days, using a friend’s Shiba Inu and the director Winston Holmes Case in tow. “When he wrote the treatment for the video, he didn’t actually know what the music was about, but he hit it right on the head - it is concerning seclusion, in a situation like that, ” Mering says of Case. “The only factor that I told him to pursue more was the more abstract, color-projection facet of the video, just to make sure it all seemed very imaginary. ”
In the video, the particular signature distortion in Mering’s piano track is mirrored by uncanny graphic elements: Mering’s face viewed through the prismatic filter of light projected onto any fish tank; the unexpected intrusion of technology in the form of a robotic vacuum cleaner; and also, in the video’s last shot, a white piano tumbling down a hillside. “That piano had been gutted out, ” Mering explains. “It’s good to be able to, a little, destroy the nostalgia aspect of the video. A bunch of boys pushed it, yet I watched. ”
View the original article here
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