Janet Janet is well aware of the job available on her first album in seven many years, and she doesn’t waste any time dealing with up to it. It's Janet Jackson unbreakable album
“Hello, ” she coos in the opening track of “Unbreakable. ” “It’s been a while. Lots to talk about. ”
“The world keeps calling me, ” Jackson sings in “Well Traveled. ” With “Unbreakable” she’s finally offering her reply.
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With regard to help (and perhaps a needed feeling of security) she enlisted Jimmy Jam and Terry Lewis, the inventive suppliers with whom she recorded her most significant music, including the militaristic pop-funk of “Rhythm Nation 1814, ” the slithering neo-soul of “The Velvet Rope” and the giddy disco revivalism of “All for You. ”
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With regard to “After You Fall, ” a ballad of steadfast devotion, Jam and Lewis go more intimate, clearing away everything however Jackson’s voice and a tolling piano number. Janet Jackson does so much with her performing - bending notes, applying vibrato, switching her breath into a percussive element exactly like her brother used to do - that the outcome is no less stimulating. Ditto Janet Jackson album's first single “No Sleeep, ” a luxurious slow jam in which she murmurs because seductively as she did on her 1993 album “Janet, ” a high-water tag of steamy bedroom R&B.
But if the songs makes for delicious ear candy, Jackson is not content to leave it at that. She also offers messages to deliver, as in “The Great Forever, ” where she addresses the common curiosity about her romantic life. “I don't see why loving someone or what I perform seem so radical to you, ” she sings before turning more combative: “What you think doesn’t mean nothing at all / Doesn’t change who I am. ”
“Burnitup! ”, the boisterous duet with Missy Elliott, recommends Jackson’s many admirers to watch the pot, lest they assume her spot is actually free for the taking. And “Broken Heart Heal” is a tender tribute to her sibling, albeit the young, carefree version from the superstar we later came to know like a victim of his fame.
Absolutely no kidding. In 2009 Jackson’s brother Michael passed away. In 2012 she married a Qatari tycoon, Wissam Al Mana. And more lately she’s seen her signature sound : lush and whispery but never forsaking a good beat - come back into style in the work of younger singers such as Tinashe and FKA Twigs.
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“Amazing times while we were growing, ” she sings, describing a childhood in which she as well as her siblings “made up songs to perform our chores to. ” Later within the song, which channels the exuberance associated with Michael’s classic work, she hints at the girl devastation over his death - “It was in summer that you left me / The actual fall and winter never felt so cold” - but finds resolve within the idea that they’ll meet again “in the next life. ”
Elsewhere on “Unbreakable, ” Jackson can get a little blurry. “Take Me Away” has a vivid electro-rock arrangement however vague words about looking for escape having a lover.
And the album isn’t without a few residual trend-chasing left over from her earlier record, “Discipline. ” It’s hard to listen to “Shoulda Known Better, ” an EDM-style banger full of do-gooder platitudes, as anything at all other than a wannabe version of Katy Perry’s “Firework. ” (Jackson is better away cribbing from herself in “2 B Loved, ” which replicates the luscious electronic soul of her great 2000 strike “Doesn’t Really Matter. ”)
For the most part, although, “Unbreakable” shows off a quality even more valuable in the pop diva than the durability its name claims. It suggests Jackson is unhappy.
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Source: www.latimes.com
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